After I wrote about Fionn Regan last week, it’s nice to hear Abacus will be sampled on the new Bon Iver album. Still doesn’t tell us what he’s up to though. But he gave permission I presume. Or someone did.
I saw Kubo & The Two Strings last Saturday, a great stop-motion animated film by Laika (who also did the wonderful Coraline). It’s a pretty amazing story combining a ‘Legend of Zelda’-type quest, the stories that make a life and a wonderful fairytale all in one.
It’s a beautiful world to get lost in, full of magic, melancholy and stories beyond the fairytale being told. It’s been a while since I looked at a screen for the first hour thinking: “This is so nice. I don’t want this to end.”
Probably my favourite film of the year so far. Go see it while you can, in cinemas now.
Letter from Tim Cook / Apple:
The Commission’s move is unprecedented and it has serious, wide-reaching implications. It is effectively proposing to replace Irish tax laws with a view of what the Commission thinks the law should have been. This would strike a devastating blow to the sovereignty of EU member states over their own tax matters, and to the principle of certainty of law in Europe.
As much as I would like tax laws to properly tax companies (something The Dutch can do better too!), right now tax laws aren’t doing that. And if you make Apple pay for that, you have to make thousands of other companies do the same really. More importantly, this goes to show yet again that the EU isn’t perfect. Either we go all in and let the EU dictate all economic decisions for Europe as a whole (which, mind you, would be very difficult considering all the different countries with different levels of wealth…), or we don’t (which is probably what many people would prefer).
I think it’s weird to retroactively change the tax rules, if that’s what’s happening now. We could make different rules for the future. But is the EU the right body to do that? Do we agree with that?
The thing is, even if we in Europe change the rules, the companies would just move to countries where the rules are better. Companies will always try to find ways to maximize earnings and avoid giving too much of them away. You can’t take that out of companies. What we could try is rebuild our tax system so companies can’t avoid them or pay them in other countries where you can pay less.
Tax reform doesn’t seem to be a particular hot topic yet. Lower taxes, yes. So to be honest, I see world peace happening sooner.
I’ve enjoyed Fionn Regan’s music ever since a fellow member of a forum I posted a lot on, send me his Hotel Room EP as a ‘Thank You’ for some bootlegs (read: live recordings of a band) I sent him. After releasing his excellent debut The End of History in 2006 (10 years ago, wow!) he released a couple of more albums, the more electrified The Shadow of an Empire and the drowning-in-strings 100 Acres of Sycamore. Sometimes, to my taste, this record feels a bit too lush. It’s a beautiful set of recordings, but I didn’t connect with it as much as the previous two albums.
However, after that album, Fionn Regan returned back to basics with his 2012 release The Bunkhouse Sessions, vol. 1: Anchor Black Tattoo. This album was recorded in a most basic fashion and this means the songs are intimately presented to your ears.
Also, check out this live version with another favourite of mine, The Staves:
I would call it a return to form, where it not that I don’t think he ever ‘lost’ it. Still, it made me very excited for future Fionn Regan releases, especially because of the vol. 1 in the title of this 2012 record. Sadly, that has been the last music he has released on his own. Apparently, he played on the Helsinki album released last year, but besides that it’s been awful quiet in Fionn Regan land. Which is not uncommon in between albums for Mr Regan.
Fionn Regan has turned into one of the more prolific Instagram users I follow. He posts multiple photos every week, mostly black and white to a following of 1200+. They are nice photos, usually lacking any words or comments from the man himself. Sometimes he also posts art work and sometimes you can see him in or near a recording studio.
In an interview with the excellent website ForFolkssake.com he says:
I find sometimes that in the world of the singer-songwriter I don’t know where I fit in…I find that I’m kind of at odds with a lot – well, I’m always going against the world and challenging it, especially the more commercial end of the singer-songwriter spectrum. I don’t understand it! I don’t feel that that’s where my stuff’s the strongest – it’s at odds with the time period maybe. When it comes to words I have a great love for words and I think that will become more of interest to me – at some point I’d love to just concentrate on words.
He meant as a lyricist or poet. Interestingly, for his audience at least, he’s now concentrating on images, not words. I like his pictures, which show a keen eye for the beautiful in the mundane, and are sometimes funny. Besides the occasional selfie of course.
Now, earlier this year Fionn Regan performed live for the first time in years, supporting Richard Hawley at Meltdown Festival. There was, according to fans on the RH Forum, no mention of a new album or new EP. But, having never seen the man play a live show, keep hoping for a new record.
We can see what Fionn Regan is up to on Instagram. But it offers, sadly, no explanation why he hasn’t made another album. Yes, there are plenty of singer/songwriters around, but Fionn’s music, with its delicate guitar parts and its poetic, cryptic yet touching lyrics offers something most of those singer/songwriters’ don’t. So whatever Fionn Regan is up to, I hope he’s also making new music. And that we’ll be hearing it soon.
2016 has been in general, a pretty crappy year so far when reviewing newspaper – website – headlines. Besides all the attacks on innocent people from Baghdad to Brussels, from Paris to Istanbul and then everything in the United States on top of that. And I’m probably forgetting several wars going on right now. In first world problems, we lost several popular culture icons (I guess that trend will continue for the forseeable future, seeing as most of the 60s, 70s and 80s stars are approaching old age now) and as the European Union, we lost a bit of ourselves as well. Even today, tragedy hit in Italy, where there was train crash that took 20 human lives. It’s gonna get worse before it gets better right? You gotta go there to come back, the Stereophonics would sing. I’ve never really listened to that album, but as album titles go, I’d call that a pretty good one.
Now, I don’t wanna say “ignore all tragedy” or make light of it in any way, but the reason we’re all hearing and seeing about this so intensely is because of the media and Internet. I’m not saying anything revolutionary here, but 100 years ago, news travelled less fast, and we couldn’t live-broadcast institutionalized racism on Facebook to everyone we know – and then some. 100 years ago, before Internet, tv and radio, our worlds were much smaller.
If I were to kill all technology in my life and zoom in to the impact of all this tragedy on my daily life: that impact is rather small. I had a friend in Brussels the day of the attacks there, so I’d have heard about that. And I would see the armed forces in Belgium when visiting that same friend. So there’s that. And by now I’ve met only a couple of refugees from Syria, so it’s not as if my entire world has been changed by that either. And when reading about the sh•tstorm that is the world right now and how angry people get, I see nothing of that in my little privileged world. Nothing, unless I actively go and look for it and reach out.
So this is why I don’t get all the anger going round, all the hatred. A lot of people seem to respond with fear and anger. But the refugees who came here haven’t destroyed our country, most of the problems are being caused by the people who are already living here. And those problems, are once again, the things the media are focusing on. Yes, I do get that things that are wrong in the world need a spotlight so that they get put right, hopefully. But when you are reporting for the cause, and when are you a sensationalist throwing gasoline on the fire and encouraging behaviour. Look at your life: is there when it comes down to your location, your place in society any reason to get properly upset about anything right now? So why are we letting media and Internet get us upset and act angry towards people who have done nothing wrong.
I’m blessed with friends who are incredibly kind, incredibly nice. When I celebrated my birthday last month, people were so kind to me, by simply telling me that they care, by showing up to my party, by giving extremely thoughtful gifts, by letting me know: we’re here for you. Even today, I received an EP I bought by singer/songwriter who wrote a nice little message in the sleeve. Little acts of kindness.
It’s been making me think that yes: kindness and calmness are probably the recipe for life right now, to make the world a little better. So I’ve been trying to be a bit kinder in everyday life. I don’t know if it’s working, but I try. Like I said: in my life there’s no real reason to be angry, so I’m trying not to be angry, despite all the crazy stuff happening all over the world right now. I refuse to believe that these are the end times.
And I don’t mean that I, you or we shouldn’t get upset about issues that we care about. Or shouldn’t be sad for the people in Italy, Iraq, France or the United States. We totally should. Or angry about the fact that this violence is happening every single day. I think we should also try to fix the world. And I do honestly believe that the only way we can do this, is by stepping up and doing our bit in making it better. With both the kindness I mentioned, as well as taking meaningful action to make change happen. If the whole Brexit-scenario and the gun control laws in the USA have taught us one thing, it’s that the people who shout hard are being heard. But unless we all turn up to decide, or in other ways use the tools that our democracy has given us, that’s the only way we really get a say. By staying silent (or only speaking in the media and nothing else), we don’t really do enough. We may sometimes feel better than the angry mob who votes against stuff, but unless we all counter that mob with votes in favor, that mob is still the smarter group. See also this bit by John Oliver on Last Week Tonight.
So yea, I’m not trying to preach here, but what it boils down to. You don’t have no opinion in this world. You have one. Even if you’re a bored teenager snapchatting the day away, you have an opinion. You can decide the future and you can stop things from happening and make other things come to pass. Approach people with kindness, and issues with activism. Even activism to keep things the way they are now. Or to make things a little better. Uninformed little me is probably wrong about some issues I do have an opinion about, but it’s also okay to change your mind.
So, on (social) media, that window in the big world that feels impossible to change, I’m gonna be kind. I’m also gonna to try to take a stand. Cos int the end I’m an optimist. And it might get worse. But it’ll definitely, eventually, get better.
I’m starting a mailinglist soon. You can sign up at the bottom of this page. I don’t want to say too much about it, other then that it will appear irregularly (but about once a month max.) and it will be personal and honest. I don’t know how long it will run but feel free to sign up if you’re interested. I don’t like the blog format or posting a lot on Facebook, so I want to try this for a while.
I’m not gonna lie. I’m an appreciator of all things Taylor Swift. I have been for years, ever since my friends and I saw the video for Love Story on a Dutch music channel way back when that was a hit. Of course, it started out as a joke. We had never heard of Taylor Swift before when we saw that video, and suddenly she was in a fairytale video singing very direct lyrics about – indeed – a love story. After that we got You Belong With Me, for which the video ticked all the right (cliché) boxes, and was a nice danceable song to boot. Sure, my friends and I were not the target audience for her earliest work, but it still featured an acoustic guitar (like a lot of good music does) and heartfelt lyrics.
I know I’m not particularly original in joking that “everybody’s gonna die” as a spoiler whenever I get the chance. But Susanne Sundfør talking about Game Of Thrones and replying that phrase to Dermot O’Leary’s question “What’s gonna happen?” still made me laugh out loud. And then she breaks into song, a beautiful rendition of Moon River (13 minutes in). So beautiful, it is to die for. Her new album 10 Love Songs is out next week. Live she is absolutely amazing, I can confirm. Hope to see her play live again in Amsterdam next month.